James S.A. Corey's Leviathan Wakes is a big book that is a part of a big series. The scope of the novel is equally big. There is a lot about this author (a pseudonym for two authors working together) and the series (that is currently being adapted into the series The Expanse by Amazon) that merit attention, but I am just interested in this novel so far.
It must have been a few years ago when I started dedicating a lot more time to reading and writing about sci-fi that I started seeing these books. Initially, I thought that this was an old series because there were so many of them. Each of the book covers features similar cover art and the same lettering style. It looks a lot like a reissue of a recovered series.
But this novel, the first in the series was just published in 2011 and the books have been coming out nearly every year with the total up to 8 and a new novella just announced. So, I had missed the boat a bit until now.
The book opens with a prologue that narrates a terrifying scene of a woman trapped in a storage locker aboard the spaceship Scopuli after it had been forcibly boarded by a hostile raiding party. Julie, the woman trapped in the locker, will become the center of a shaggy-dog detective narrative around which the sci-fi narrative is wrapped.
The novel's two main characters, Holden and Miller (a disgraced naval officer and disgraced police detective, respectively), carry two separate narrative strands that eventually merge as the case of the missing girl evolves from a wandering daughter case to massive, interplanetary political upheaval.
The exact details of the plot dissolve into the background as the story unfolds. There is an ancient alien virus, tribal conflict between humans of different colonial origins, and futuristic hardware. The world built in the novel is one that is familiar to fans of contemporary sci-fi. That is, a world that is similar to our own in its lived-in qualities. This is not the glossy world of Star Trek where everything is military-grade and state of the art. The ships and gear range from the bleeding edge of technology to patched-together, aging industrial haulers.
There is a lot going on in this novel, too much to cover here, but I will say that this was an enjoyable read. Corey's matter-of-fact description of inter-faction conflict is reminiscent of Heinlein's The Moon is a Harsh Mistress. In the world of this novel, colonialism travels into space along with humanity as people living in space stations in the and outside of the asteroid belt, on Mars, the Moon, and back on Earth compete for resources and jockey for political power. The descriptions of the bodies of human that are born and live in different gravities echoes the work of Kim Stanley Robinson, who so frequently muses on the effects that deep space will have on human evolution.
When my recently pared-down sci-fi book group decided to read this novel, I went and bought a box set of the first three novels. I look forward to continuing this series and seeing what the authors can do with the world they have created. I am a little torn about whether I want to begin watching the series just yet. I may hold out until I get further into the books.
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